Printmaking

My print practice explores archetypal Barbican images and employs these in lino cut mono-prints, etchings in aquatint and mono-print photo collage etchings with chine colle. Here I seek to capture the sense of time and place on the Barbican Estate - drawing on Bauhaus colours when making my chine colle and employing a range of hues in my aquatints to illustrate the ephemeral colours and textures I observe living and working in the Barbican.

Crescent Moon Over the Barbican

Lino cut/ mono print

25 x 25 x 4 (framed with anti-reflective glass)

Crescent Moon Over the Barbican

Lino cut/ mono print

25 x 25 x 4 (framed with anti-reflective glass)

Crescent Moon Over the Barbican

Lino cut/ mono print

25 x 25 x 4 (framed with anti-reflective glass)

Podium Shadows, Barbican

Etching in Aquatint

29 x 28 x 4 (two available framed with anti-reflective glass, available unframed)

Podium Shadows (Bauhaus Red)

Etching in Aquatint with Chine-Colle (mono print)

25 x 24.4 x 4 (framed with anti-reflective glass)

Podium Shadows (Bauhaus Green)

Etching in Aquatint with Chine-Colle (mono print)

25 x 24.4 x 4 (framed with anti-reflective glass)

Pedestrian Crossing, Barbican (Bauhaus Yellow) (Portrait)

Etching with chine-colle, mono print

26.5 x 21.5 x 4 (framed with anti-reflective glass)

Pedestrian Crossing, Barbican (Bauhaus Yellow) (landscape)

Etching with chine-colle, mono print

23.4 x 27.5 x 4 (framed with anti-reflective glass)

Pedestrian Crossing, Barbican (Vintage)

Etching with chine-colle, mono print

28 x23 x 4 (framed with anti-reflective glass)

Pedestrian Crossing, Barbican (Black and white/ Bauhaus Yellow)

Photo Etching with chine-colle, mono print

20 x 23 x 4 (framed with anti-reflective glass)

Sleeping with Rothko, Tryptich,

Photo Etchings - monoprints

37 x 26 x 4 (each) framed with anti-reflective glass

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